"So he says this next thing, and it doesn’t come off as lascivious, the way it might have years ago, but thoughtful and aware: Yes, he says, all men should be penetrated at some point. And not as in emotions. He means: All men should be fucked.
'I think it would help them understand women,' he argues. 'It’s such a vulnerable position to be in, and it’s such a passive position to be in. And there’s such an invasion, in a way, that even if it’s consensual, it’s just very personal. And I think there’s a psyche that happens because of it that makes you understand and appreciate what women go through their whole life, because it’s not just sexual, it’s a complete setup of the way the world works, that one sex has the ability to literally—and is expected to and is wanted to—but also there’s an invasion. And I think that that’s something most men do not understand at all.'"
“I had my idea, and I was treated nice no matter what. You had your privacy and you were allowed to think what you wanted to think.”
I really liked this short NYT interview with 104-year-old Polish émigré Rose Orbach on how remarkable it felt to vote for the first time as an American citizen in 1956.
There is a certain feeling I always get inside the voting booth -- this mix of autonomy and productivity. Reading this made me think about how special it is.
“I am decisive, you know. I don’t believe in wasting anybody’s time. I like to be honest. I like to be clear.
In my own personal career, I have felt almost the most difficult thing to deal with is someone who doesn’t tell you what they are thinking.”
--Anna Wintour in the New York Times
Anna Wintour responded with her characteristic class to the latest subtly-gendered jabs in the press about her management style. Turns out, what trendy Silicon Valley people are now calling 'Radical Candor,' Anna has been doing all along.
"Bette Midler told Patrick Healy, of the Times, that she had wanted to be a serious dramatic actress but had faltered for lack of courage. 'I have that terror,' she said. 'Will people like you? Will they ask you back? Did I make the cut? That's always on my mind.'
To hear the brash, funny, commanding (as far as we knew) Midler tell of worrying whether people would like her is painful. But, in every group of artists, the insiders can tell you who, among them, should have had a bigger career but, for some reason, was held back.
...[Dancer Mikhail] Baryshnikov believes that it is the feeling of obligation to the audience that triggers stagefright: 'Suddenly the morality kicks in. These people bought a ticket to your show.'"
We all know an individual who is brilliant, but also inordinately shy or reclusive. I liked Baryshnikov's comparison of such anxiety to a sudden, chastening sense of "morality" and responsibility to others.
Reading this made me sad to think of how many of the most gifted and sensitive people among us are too reticent, leaving a significant portion of success' upper echelon wide open for those who are mediocre but oddly devoid of the moral -- and perfectly natural -- inclination to occassionally check themselves and dial it back.